I really don’t know how to explain this but I’m going to try.

Last night we went to a concert given by Ornella Vanone.  The problem is that, if you’re not Italian or lived here for a long time, you may not even know who she is.  Until a few weeks ago, I certainly didn’t.

She is, I understand, in her mid-seventies.  She has a good voice and sings love songs that, according to FfI are almost all about saying goodbye to a love and saying that she’ll wait for them to return.  All heart-rending stuff.

It was a good concert.  My first time at Blue Note which, as it is a jazz club, I had thought would be rather sleazy.  As it turned out it was rather nice.  Almost quite posh.

Ornella is Italian (from Milan, I think) and sings with a slightly husky voice.  A nice voice.  Not really anything that special but nice.  Of course, I don’t understand the words and, when she’s speaking, either because she’s old, or drunk (someone said she drinks a lot) or just because she’s playing to a Milan audience, her Italian is difficult to understand for me and she speaks very fast.  OK so I get some of it but not really enough.

F keeps asking if I understand.  I don’t want him to translate everything, not least because it will get so annoying for him.

But, with some songs, he goes really quiet, whilst on the other side of me, FfI is wiping away tears.  And this is the bit I want to try and explain.

Even if I could understand her words, her songs to their fullest, I’m not sure I would be so moved by them.  There’s a history that I cannot share.  Cannot even hope to share.  There’s a story behind all these songs, a story that’s different for everyone.  But, of course, that’s normal.

What I’m trying to explain (badly) is that, whereas, if I was with people from the UK or, even the USA, there would be a common, shared history to the singer.  I mean, if I was in the UK, and with someone from the UK and we were to watch someone like, say, Shirley Bassey, then, even if she’s not my favourite singer, we would all know something about her, about her history in the country, about some of her hits, about her love-life or private life or things like that.  It makes her a ‘real’ person and a person who can be ‘shared’ by you and those around you.

Whereas, here, I could not share it, could not be part of it.  I wanted to be part of it but, unless I were to read all about her, study her and her music, put each song into the setting of the time, I cannot be a part of this.  It is a history beyond my capability to perceive, to live, to have.

And to me this was striking and difficult to determine how I should feel about it.  On the one hand, it’s not important, of course.  On the other, it is a part of F that I cannot share.  I don’t mean the past, for, of course, the past is gone and neither of us can share our pasts with each other; only recount stories but never relive them.  No, this is also the future.  For the future or (in the case of the concert) the present, has a part of the past that is beyond either of us to share with each other.

We (F & I) are supposed to be going to see Joan Armatrading next year.  Being my favourite singer, it is important to me.  Her songs hold special meaning for me.  I know most of the words to the songs; can sing them with correct inflection, breathing, etc.  But, if we go, F, although with me, cannot be with me during certain songs.  Cannot be in my head or fully understand nor appreciate the meaning and the subtlety of each word.

It was a good concert.  Probably, if I had grown up knowing her, her songs, the history, I would have said ‘great’.  But I cannot say that.  I don’t know if it was great.  Was she always like this or was this substandard?  How the hell would I know?

What I do know is that it was good and that, being with F was all that really mattered.  As he held my hand or kissed me or lay (just for a moment) his head on my shoulder, it felt good and right and perfect.  And all I wanted to do was hug him whilst this (to my perception) slightly mad (and mad-looking) old lady, moved around the stage, drunkenly or unsteadily or maybe she’s always like this, singing songs about love or about the end of love, with a voice that reminded me of how, probably, Shirley Bassey is, now, in concert.

And, in my heart, so full of love for F, there was an ache for the ‘missing’ part; the part of me that is outside his experience and a part of him outside mine; a part that cannot be shared for, in a final way, we are, in fact, from a different culture, with a different history and in spite of anything that we may build together, a future of shared experiences, loves, hates, friends and enemies, there will always be this ‘missing’ history, the story that cannot be shared.